噪山藝術空間 Orogeny Art Space
空間介紹
About the Space
噪山藝術空間於2021年成立於高雄，由藝術家暨策展人黃至理主理，是一處以展示與推廣當代藝術為核心的獨立藝術空間。空間持續關注臺灣年輕世代創作者，透過實驗性、跨領域及具前衛精神的展覽與計畫，提供藝術創作、策展實踐與交流的平台。
2025年，噪山由三民區遷至鹽埕區富野路。除了延續當代藝術的實踐與展示，也開始重新思考藝術空間與所在街區的關係：如何拉近藝術與居民之間的距離，並透過藝術實踐與地方建立自然且舒適的連結。
主理人黃至理畢業於國立高雄師範大學跨領域藝術研究所，創作關注城市狀態與時代變化如何影響人的理解與感受，並從幾何學角度思考人、物與空間之間的關係。近年亦將策展納入自身藝術實踐，透過噪山持續探索創作、展覽、空間與城市之間的多重關係。
Founded in Kaohsiung in 2021 and directed by artist and curator Huang Chih-Li, Orogeny Art Space is an independent art space dedicated to the presentation and promotion of contemporary art. With a particular focus on emerging artists in Taiwan, Orogeny provides a platform for artistic practice, curatorial experimentation, and exchange through exhibitions and projects that embrace experimental, interdisciplinary, and forward-looking approaches.
In 2025, Orogeny relocated from Sanmin District to Fuye Road in Yancheng District. While continuing to serve as a site for contemporary art practice and exhibition-making, the space has also begun to reconsider its relationship with the surrounding neighborhood: how art might become more accessible to local residents, and how artistic practice can foster meaningful and comfortable connections with the community.
Director Huang Chih-Li graduated from the Graduate Institute of Transdisciplinary Art at National Kaohsiung Normal University. His practice explores how urban conditions and changes over time shape human perception and experience, while drawing on geometric perspectives to consider relationships among people, objects, and space. In recent years, he has also incorporated curating into his artistic practice, using Orogeny Art Space as a platform to further explore the intersections of artistic creation, exhibition-making, space, and the city.
當期展覽
Exhibition《不動的變動》Endlessly Evolving
藝術家｜林明玉 Ming-Yu Lin (TW)
《不動的變動》是藝術家林明玉（Ming-Yu Lin）自2020年起持續發展、以陶土為書寫媒材，探究與想像臺灣島嶼地質身世的系列創作第四部曲。從2022年《成為土》以柴燒呈現陶土經高溫燒製後如岩石風化、大地乾枯的地表景象；2023年《冰磧∠熔岩》以釉彩描繪臺灣高山冰谷與湖泊的冷冽風景，鑿刻風化火山礁岩的奇幻樣貌；至2024年《時間的皺褶》，進一步以更長的尺度想像臺灣位處火山島鏈的地質時間與身分意義。
《不動的變動》將觀看距離拉升至地球之外，嘗試從掙脫地球引力、衝破大氣層的太空船視角，凝視太陽系中適合人類居住的地球，以及運行於不同軌道的其他星體。星球以不同速度自轉、繞行，彼此引力相互作用，在持續運動中維持看似不動的關係；穩定與平衡之中，也醞釀著能量蓄積與生命勃發的可能。
從太空回到以身體丈量的尺度，藝術家將目光轉向岩石中常見的沉積岩，拼接來自不同地質環境的陶土，形成如彩色織帶般的地景紋理。深淺交織的厚實色調，以及泥土的細緻與石英砂的粗糙質感，共同呈現構成我們棲居星球的基礎——岩石，以及其持續變動的多樣風貌。
“Endlessly Evolving” is the fourth chapter in an ongoing ceramic series begun by the artist in 2020, using clay as a medium to explore and imagine the geological lineage of Taiwan. The series began with “Becoming Earth” (2022), in which wood firing transformed dark clay into surfaces reminiscent of weathered rock and parched earth; “Glacial Moraine, Lava” (2023) used glaze to evoke Taiwan’s alpine glacial valleys and lakes alongside the fantastical forms of weathered volcanic rock; and “Wrinkled Imprints of Deep Time” (2024) expanded the temporal scale to contemplate Taiwan’s geological time and identity within a volcanic island chain.
In “Endlessly Evolving,” the artist shifts the viewpoint beyond Earth, imagining the planet from the perspective of a spacecraft escaping its gravity and breaking through the atmosphere. From this distance, Earth and other celestial bodies move along their respective orbits, rotating and revolving at different speeds. Their gravitational forces act upon one another, sustaining a seemingly motionless yet constantly changing relationship—a dynamic equilibrium in which energy accumulates and the possibilities of life emerge.
Returning from outer space to a scale measured by the human body, the artist turns to sedimentary rock, one of the most familiar forms of rock. Clays originating from different geological environments are joined together to create landscape-like strata resembling bands of woven color. Dense layers of varying tones, together with textures ranging from fine earth to coarse quartz sand, evoke the diverse and ever-changing forms of rock—the fundamental material of the planet we inhabit.
Photo: 黃至理